Showing posts with label literary. Show all posts
Showing posts with label literary. Show all posts

Saturday, April 5, 2025

Book Review | GLIFF by Ali Smith


GLIFF
BY ALI SMITH | PUBLICATION: FEBRUARY 4, 2025
PANTHEON | GENRE: LITERARY FICTION
RATING: ★★★★
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From a literary master, a moving and genre-bending story about our era-spanning search for meaning and knowing.

An uncertain near-future. A story of new boundaries drawn between people daily. A not-very brave new world.

Add two children. And a horse.

From a Scottish word meaning a transient moment, a shock, a faint glimpse, Gliff explores how and why we endeavour to make a mark on the world. In a time when western industry wants to reduce us to algorithms and data—something easily categorizable and predictable—Smith shows us why our humanity, our individual complexities, matter more than ever.

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This is a late review, and I need to apologize for that. Because how do we review an Ali Smith? It's difficult... But let me try.

Ali Smith's Gliff reaffirms her genius as a literary powerhouse, blending a near-future dystopian narrative with profound reflections on humanity. The title itself—a Scottish term for a fleeting moment—sets the tone for a story that is transient yet deeply affecting.

Smith crafts a world that feels both familiar and alien, where societal divides grow stark, freedoms erode, and the ominous specter of constant surveillance looms large. Her exploration of our humanity—juxtaposed against the dehumanization by algorithms and industrial powers—creates a poignant commentary on the times we live in. Yet, amidst this unsettling backdrop, Smith threads hope and individuality, reminding us why our complexities matter.

Her manipulation of language is nothing short of magical. Words bend and dance under her pen, forming a visceral connection that draws readers into her narrative. The wordplay, as ever, is quintessentially Smith—challenging, inventive, and unexpectedly delightful.

Gliff stands as a testament to Smith's brilliance in both vision and execution. It's an experience rather than mere storytelling, leaving readers not only captivated but also deeply contemplative. For fans of her work, it's another masterpiece; for newcomers, a profound introduction to her extraordinary world-building and linguistic artistry.


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About the Author:
ALI SMITH is the author of many works of fiction, including, most recently, Summer, Spring, Winter, Autumn, Public library and other stories, and How to be both, which won the Baileys Women's Prize for Fiction, the Goldsmiths Prize, and the Costa Novel of the Year Award. Her work has four times been short-listed for the Man Booker Prize. Born in Inverness, Scotland, she lives in Cambridge, England.
Photo by Christian Sinibaldi.



*Penguin Random House provided the Netgalley access
in exchange for this unbiased review.






Sunday, October 27, 2024

Book Review | DEVIL IS FINE by John Vercher


DEVIL IS FINE
  BY JOHN VERCHER | PUBLICATION: JUNE 18, 2024
CELADON BOOKS | GENRE: LITERARY FICTION
RATING: ★★★★        
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Still reeling from a sudden tragedy, our biracial narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged white grandfather. He travels to a beach town several hours south of his home with the intention of selling the land immediately and moving on. But upon inspection, what lies beneath the dirt is far more complicated than he ever imagined. In a shocking irony, he is now the Black owner of a former plantation passed down by the men on his white mother’s side of the family.

Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovering and reclaiming a painful past. With the wit and rawness of Paul Beatty’s The Sellout, Devil Is Fine is a gripping, surreal, and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

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Identity and Legacy

John Vercher's DEVIL IS FINE is a novel that delves deep into the heart of personal identity, legacy, and the intricate relationship between a father and son. The book opens with a scene that is as unforgettable as it is poignant, setting the tone for a narrative that is both intimate and expansive.

The unnamed narrator, grappling with the sudden loss of his teenage son Mal, finds himself on a journey not just of grief, but of self-discovery. The inheritance of a plantation from his estranged grandfather leads him to uncover layers of his own identity as a biracial Black man, as well as the heavy weight of a legacy left by the white side of his family.

Vercher's writing style is noted for its lyrical quality, which serves to draw readers into the narrator's world, feeling each wave of emotion as he navigates the complexities of his past and present. It is all-consuming. The novel is a masterful blend of reality and imagination, humor and tragedy, and the bonds that tie fathers to their sons.

DEVIL IS FINE challenges readers to consider the legacies we inherit and those we leave behind. It's a story that is as much about the personal inner struggles of its protagonist as it is about the broader societal issues of race and heritage. With a narrative that is both darkly humorous and deeply moving, Vercher has crafted a novel that resonates with the complexities of being human, the pain of loss, and the hope of reconciliation.

A power of storytelling in exploring the depths of human emotion and the ties that bind us across generations. DEVIL IS FINE is a compelling read for anyone interested in the nuanced exploration of identity, the enduring impact of family history, and the redemptive power of facing one's past. It stands as a poignant reminder of the stories we carry within us and the importance of confronting them with courage and honesty.


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About the Author:
John Vercher lives in the Philadelphia region with his wife and two sons. He has a Bachelor’s in English from the University of Pittsburgh and an MFA in Creative Writing from the Mountainview Master of Fine Arts program. John serves as an Assistant Teaching Professor in the Department of English & Philosophy at Drexel University and was the inaugural Wilma Dykeman writer-in-residence at the University of North Carolina, Asheville. His debut novel, Three-Fifths, was named one of the best books of the year by the Chicago Tribune and Booklist. It was nominated for the Edgar and Strand Magazine Critics’ Awards for Best First Novel. His second novel, After the Lights Go Out, called “shrewd and explosive” by The New York Times, was named a Best Book of Summer 2022 by BookRiot and Publishers Weekly, and named a Booklist Editor’s Choice Best Book of 2022.
Photo from Celadon.com, No infringement intended.



*Thanks to Celadon Books for the printed ARC
in exchange for this unbiased review.