Saturday, October 5, 2024

Book Review | SONGLIGHT by Moira Buffini


SONGLIGHT
BY MOIRA BUFFINI | PUBLICATION: SEPTEMBER 3, 2024
FABER | GENRE: YA FANTASY
RATING: ★★★★✬
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Set in a post-apocalyptic future, Songlight is an extraordinary debut from a renowned screenwriter. A cinematic masterpiece in storytelling, the explosive first book in the Torch trilogy is the hottest release of the decade!

They are hunting those who shine . . .

Don’t be deceived by Northaven’s prettiness, by its white-wash houses and its sea views. In truth, many of its townsfolk are ruthless hunters. They revile those who have developed songlight, the ability to connect telepathically with others. Anyone found with this sixth sense is caught, persecuted and denounced.

Welcome to the future.

Lark has lived in grave danger ever since her own songlight emerged. Then she encounters a young woman in peril, from a city far away. An extraordinary bond is forged. But who can they trust?

The world is at war. Those with songlight are pawns in a dangerous game of politics. Friends, neighbours, family are quick to turn on each other . . .

When power is everything, how will they survive?

An extraordinary debut – the first in a trilogy – from an award-winning, internationally acclaimed screenwriter, Songlight promises to set the world alight!

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In the realm of dystopian fiction, SONGLIGHT emerges as a profound exploration of a social cancer, if you may. The novel, set in a world where the possession of 'songlight' marks individuals as 'unhuman,' delves into the dehumanization and persecution faced by those who are different. The narrative is a stark reflection of the propaganda-fueled wars and the obscured agendas of the State, a theme that resonates with the current global political climate.

What makes SONGLIGHT so commanding is the ability of the author to incorporate the well-trod tropes and characterization in a story that feels both refreshing and incredibly attractive. Buffini's characters are a testament to her brilliance, with even the antagonists being crafted with such depth that they add to the richness of the story. In simplest terms, her villains are the real villains and not just clichéd evil characters. It is filled with good characterizations of the players, lots of emotions, intrigue and a few twists which kept this reader intact.

The author has also shown extraordinary attention to detail in creating a world that is both concise and plausible. The stowed finish swerves into unexpected territory both emotionally and politically. Her presentation of events is straightforward – equivalent to that of a filmmaker – who aims to illustrate a period in a traditional society. The plot is a labyrinth of emotions, politics, heartbreak, and betrayal. The heartache sequences are extremely intense and difficult in the same way, the relief these characters provide urges the readers to be more sympathetic. Equally, the author challenges readers to consider the roots of dogmatic views, providing a window into the factors that shape such convictions.

The narrative's power to mirror contemporary issues is particularly striking, as it encourages a dialogue about the beliefs we hold in this present times. SONGLIGHT is a mirror held up to our society, a call to examine our beliefs, and a reminder of how powerful literature is to stir the soul and ignite the mind. As the story reaches its climax, the tension is palpable, with Moira Buffini masterfully conveying a sense of immediacy that binds the reader to the fate of the characters. The cliffhanger ending leaves one eagerly anticipating the next installment, a testament to the author's mastery to engage and captivate her audience. She has crafted a world that is as haunting as it is enlightening, and her work stands as a beacon in the genre, illuminating the path for future explorations of dystopia.


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About the Author:
Moira Buffini is one of the UK’s leading playwrights and screenwriters. Most recently she wrote the screenplay for The Dig (directed by Simon Stone), which earned her a Bafta nomination, and co-created and showran the Hulu TV series Harlots, which ran for three seasons. Moira’s other film work includes Jane Eyre (directed by Cary Fukanaga) Tamara Drewe (directed by Stephen Frears) and Byzantium (directed by Neil Jordan). She has also written four plays for the National Theatre, including Welcome to Thebes (Writers Guild Award nominee), and Dinner (Olivier nominee), which later transferred to the West End. Her other plays include Handbagged, for which she won an Olivier Award.
Photo from Faber website, no infringement intended.



*Thanks to Faber and The Write Reads for the eARC
in exchange for this unbiased review.






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